
Tuesday, October 27, 2009
New York vs. Philadelphia

Monday, September 21, 2009
Some notes on football. Sorry, ladies.
Like most professional sports in America, for several years the National Football League has been striving for parity, which is to say, balanced competition between teams. This is done by tinkering with contract policies, salary caps, and all the other financial minutae about which I happily lack a firm understanding. Suffice it to say that by hook or by ladder (get it?), the NFL wants all its games/teams to be consistently competitive, thus leaving the door equally open for teams/markets of all sizes, from Dallas down to Jacksonville, to win a championship. And judging from what I saw in 2008 (more on that in just a moment), and what I've seen so far in 2009, I dare say the NFL has pretty much gotten its wish. We still have a few dominant teams and our bottom-feeders, sure, but generally, the league has become more balanced. This is a good thing, right?... I used to think so, but too often these days I find myself wondering if this balance has come about at the expense of quality football. In other words, it seems there is a ton of mediocrity in the NFL, and I'm not so sure that's a good thing, even if it is more balanced.
Consider the evidence. In 2008, the NFC's representative in the Super Bowl came down to a contest between a team that finished 9-7 in a piss poor division (The Arizona Cardinals from the NFC West), and a 9-6-1 team who tied the freakin' Bengals and only made the playoffs because of a fluke miracle upset by the Raiders in the final week of the season (The Philadelphia Eagles). I'm a die hard Eagles fan, and so it's tough to admit, but neither of these teams were all that good in 2008. Arizona beat up on weak competition, still merely limped into the playoffs, and rode one player (Fitzgerald) to a conference title, and the Eagles, well, the Eagles took advantage of an inexperienced Vikings team and the suddenly befuddled New York Giants after losing their star receiver, Plaxico Burress, to get to the conference title game. Neither team really consistently exhibited good, sound, quality football last season. So while that conference title game was back and forth, high scoring, competitive, and mostly entertaining, it kinda looked pathetic next to the Cowboys/Giants/Redskins/49ers games of the late 80's and early 90's. Either the '08 Cards or '08 Eagles would have gotten absolutely ass-raped against any of these erstwhile powerhouses. It just makes me think that, generally, teams are able to win/compete these days despite putting a sub-par product out on the field. And that doesn't make me happy.
And look at what we have this year. Looking around the entire league, how many teams would you consider to be "scary," as in "I really don't want my team to have to face that team." I count three, and only three: the Baltimore Ravens, the New York Giants, and the New Orleans Saints. That's it. Two teams with no-doubt-about-it awesome defenses (despite each looking somewhat vulnerable in week 2), and one with an equally terrifying offense. Everyone else? - ehh, bring it on. The Patriots are exponentially softer than they were a few years ago, same goes for Indy, the Steelers don't score enough points and I've yet to figure out how that fucking team has won twice in the past four years, Dallas chokes, Philly chokes, Favre sucks, the Pack just got humbled at home by the friggin' Bungles, Panthers stink, the Falcons aren't there yet, the Cardinals are overrated, so are the Chargers, the Dolphins were a flash in the pan, yadda yadda yadda... Nobody's really that good. So what we're left with is a bunch of tight-fisted affairs that are not that exciting because, to quote legendary dodgeball coach and five-time ADAA all-star Patches O'Houlihan, "It's like watchin' a bunch of retards trying to fuck a door knob out there!"
I find myself longing for the old days when you had nearly indestructible teams regularly stomping the competition, which inevitably made it even more gratifying when they were taken out. To use my favorite team as an example again, I bet everyone who's been watching Philly football for the last 15 years or more remembers with much more delight the game where we stuffed Emmitt Smith and the mighty Cowboys on 4th and 1 TWICE to secure the victory than they do our playoff win over Minnesota last year. I bet the regular season game when we beat Dallas by picking off Aikman in the end zone and watching as Troy Vincent ran it all the way back to the house resonates with you more warmly than when we smacked around the G-men in the playoffs last year. And this is regular season vs. playoffs I'm talkin 'bout here! It should be the other way around. But it isn't! And you know why? - because when we beat Dallas, we were knocking off the best. That was David vs Goliath stuff. We had to be awesome, almost perfect to win those games, and so when it happened, it was genuinely unbelieveable. It's more memorable that way. I think a league dynamic like that is more fun; when you have a healthy crop of awesome teams, and then everyone striving to be this year's Cinderella so to take a run at the big boys. It's better than watching the 7-8 Chargers play for their division's championship (insert dry-heaving sound here) like they did in 2008. Uuuugh.
If you still don't believe me, go to a bar that shows every game next Sunday, and watch as much as you can without getting bored/sick (not counting your home team's game, of course). You won't last long. If you come across Miami, Washington, St Louis, Seattle, Carolina, Tampa Bay, Chicago, Detroit, Oakland, Kansas City, Denver, Tennessee, Jacksonville, Cleveland, or Cincinnatti, you'll likely quickly opt to go outside and watch the grass grow instead, because its just as exciting. And often times, the teams I left out can be boring as shit, too.
The NFL needs to be more like Major League Baseball. The big leagues are so great because we have villains like the Red Sox and Yankees - the indestructible empires that always pose a major threat. That's why its always such a big deal when they get beaten. (Quick side note: The Mets should be like this also with all the money they throw around. However, this is not the case. To Mets fans, this is because they are so riddled with injuries. To everyone else with half a brain, it's because of injuries and because they suck big floppy donkey dick. Ok, back to football). The NFL on the other hand, though clinging to the Patriots and Steelers I guess, doesn't have that. The NFL has like 29 Seattle Mariners, and 3 Detroit Tigers teams. Overwhelmingly homogenous and mediocre, with a few barely superior exceptions. Bleh.
One last note: The wildcat offense is fucking stupid. Period.
Alright, this one was short and sweet. More to come soon.
DJ
Tuesday, September 8, 2009
Bambi vs Michael Myers, The Case of the Fourth Toe, and the Show You Need to Watch


But I'm getting way off point already. I mean, I do see the idea here. It's good to let kids see their favorite characters learning on their own, making friends, becoming independent, growing up happy, etc. and realizing that they could never cling to their mothers all the time. I'm not sure they had to have the mothers die, but still, I get it, I think.....(MINI SPOILERS COMING) but then I started watching the show "Dexter," and I saw Rob Zombie's sort-of re-creation of "Halloween 2." And the resulting irony I found morbidly hilarious. As you may have guessed, in both of these examples, the main character loses his mother as a small child, and consequently loses. his. fucking. mind. So much so that they both - Dexter Morgan and Michael Myers - become serial killers who, in one way or another, mask their identities. Michael Myers does so by sporting the classic white face mask, and Dexter spends most of his days admittedly pretending to be a normal, law-abiding citizen - not to mention employee of the Miami police force.
Of course, in both of these cases, it's not quite as cut and dry as mom's death = lifelong rampage. There are more involved backstories and such. As it turns out, Dexter is just helplessly obsessed with blood, and his mom's death via chainsaw - which took place right in front of him, and is an awesome way to kill someone - while significant, certanly isn't the only factor in determining who he grew up to be. Also, Dexter abides by a code whereby he only kills those who deserve to die, so for all his homicidal proclivities, he does still have a sense of civility/chivalry about him. And in Michael Myers' case, he was a fuckin' nutcase even before his mom died, as evidenced by the fact that he absolutely butchered all his family members (plus, he fuckin' de-STROYS his one sister's boyfriend with an aluminum bat - awesome) as a kid except for his mother and his baby sister. Still, in this latest installment of the slasher franchise, we come to discover that all this time, it's been delusional visions of Michael's mother that compels him to return home and murder his remaining sister...
Still, I think the dichotomy between what we're shown as children and what we see as adults regarding what happens to people/characters when their mothers are taken from them is still pretty valid/thick, and as I mentioned before, hilarious. It almost makes the kids' movies, though well-intentioned, seem naive, doesn't it? Like the filmmakers, in their respectable effort to teach kids a valuable lesson about life, think that the prospect of killing off the mama is a tame enough medium for kids to handle? I mean, didn't they realize that this idea could seriously psychologically crush a kid? I don't know, it just seems weird to me; as if they're saying, "Hey kids, if mom dies, don't worry! You can just forget about/let it go when you make friends with a rabbit or a skunk or a tricertatops or other elephants!" Because to me, the more accurate thought here is also the more terrifying one that you see in Dexter and Michael Myers; as if the filmmakes are saying, "You wanna know how fucked up you can get if you have to deal with mom dying? Take a look at this shit." Just seems funny to me. Seriously funny. And clearly the folks over at Disney should get on the ball and make amends for these egregious errors of the past, and they should do so by presenting children with the consequences that are only as truthful and brutal as the idea of losing your mother in the first place, and make an animated movie featuring the classic characters involving someone losing a parent, then dealing with it by slaughtering all the others. I suggest Donald Duck play the bloodthirsty psychopath, stalking his victims in the dark while quietly whistling the melody to the famous "M-I-C....K-E-Y M- O U - S E" song. Tell me that wouldn't be creepy and awesome.... Just a thought.
Alrighty then. Nuffsynuff for now. Thanks for droppin' in. Until next time, go hug your mother.
DJ
Tuesday, September 1, 2009
For Matters of the Heart, Consult Batman
Earlier this year, just before the flowers bloomed and birds chirped, while the weather was still just cold and stinging enough to be symbolic, my romantic relationship withered and croaked ('This is how you're starting your blog? Ummm, yup). That... was not a fun day. In fact, it hasn't been a fun six months. But, not to worry, I'm not here today to vent my pent up frustrations or talk about how much the whole situation sucked; that would, in my estimation, make for an almost unfathomably lame and unentertaining read. No no, instead, it's just that over the past half calendar year I've unwittingly become more than just passingly familiar with a peculiarly haunting conundrum: how best to move forward/objectively accept the notion that there really are "other fish in the sea" at a time when I couldn't help but view everything with bitterly subjective eyes, and it's lead to some interesting thoughts. To give you a better idea, during those first few post-relationship months of March and April, I spent such a great deal of quality Deej-time with this very problem that if it somehow were able to personify itself and become a woman, we would have been having regular sex, she'd be calling me twice a day, and we probably would have had the "So what do you think about anal?" conversation... Kidding. No I'm not. But you get the idea. This concern was incessant; it was always with me. It went to bed with me, it stared back at me in the mirror as I brushed my teeth, I could taste it in my morning coffee, it sent me a bunch of "lil' green patch" plants on facebook, the whole bit. It just wouldn't leave, and so I did not know what to do because I could not seem to formulate any consistently workable and soothing answers.
Naturally, at numerous points along the way, I thought maybe I'd find these answers - or at least the seeds of them - in the counsel of family and friends. And in bizarre way, I did, but not so much in what their messages were but more in how they said them, or their wording ('Leave it to you to discern deep meaning from diction.' But of course, would you expect anything less from me?). To illustrate, when I would confide in people, I would - with remarkable frequency - get responses that sounded something like this: "You shouldn't be like this. You're 26. You're young. You should be happy. You should be having fun." Of course, these serious conversations would typically be lengthy and cluttered with confusing and sad detail, but there's no need to share all that. What's important/relevant here are the main ideas/summaries, which I just paraphrased. And they are good messages. They're valid. They're probably correct.....But they fuckin' bothered me. The wording bothered me. Particularly, that one redundant phrase - "should be"- ate at me because it sets a ridiculous/idealistic benchmark. If everything was "as it should be," then there would be zero problems, and when it comes to dating/relationships/finding someone to care about, stumbling upon an absolute eutopia just isn't in the fucking cards. It's unrealistic. It's impossible. It doesn't work that way. And if you disagree with me and think that your relationship is seriously "perfect," then you're either high or you're Angelina Jolie...
And so it was, for a while, the messages and bits of advice I received from others, while genuinely appreciated as I was feeling atypically vulnerable, ultimately pissed me off moreso than they aided me. Shit, I get mad enough as it is whenever I can't figure out a friggin' sudoku puzzle, so when all this was happening and I felt I was drifting farther and farther away from a comfortable solution to legitimately difficult problem instead of progressing toward one, my frustration became quite amplified - internally, at least. Ironically, this filled my mind to such an extent that I could have sworn my temples continually and visibly pounded outward so to make extra physical space in my head for all of the bullshit minutae floating around in there. But that's when it happened. Right as I was almost at the psychological breaking point, I had something that's not nearly dramatic enough to be considered an epiphany, but was still a pretty helpful realization nonetheless. I don't know the word for it, so I'll make one up by employing one of my favorite rules of the Spanish language: epiphanita. Yes, a tiny epiphany, an epiphanita ('Wow, you're such a homosexualita.' Yeah, well, what can ya do...). And the fact that it happened at this point I dont' feel is very shocking, for I'd be willing to bet that, just as people have been known to sometimes summon extraordinary amounts of strength in moments of extraordinary peril, your mind forces itself to operate on a higher plane of reason right when it seems you're about to lose it completely. In other words, desperation, while certainly unenviable, is a powerful condition.
But I digress. What I realized was, of course, something almost ridiculously simple, but that's also not surprising considering my annoying tendency to immediately overcomplicate things. Specifically, it dawned on me that instead of ignoring the idea of an idealistic new relationship since its unattainable, I should embrace the very unattainability of it. In other words, maybe the best way to deal with demons is to have them on display, to wear them externally, etc. instead of trying to mask them in the blind hope that they'll go away when I find something ideal/perfect, because there's no way that could ever happen. I mean, the possibility of going down this unfortunate road (some people call it "heart break") is a terrifying one, but I learned that often times, the best (and often only) way of overcoming fears is to confront them, to immerse yourself in them, to almost wear them ('I smell a nerdy allusion coming...' That's right you do!...) And it is in THIS concept that we can learn a little sumptin' sumptin' from none other than Batman! That's right, the dark knight himself employed this very principle in a way. He overcame his fear of bats by surrounding himself with them. He became simultaneously fear-less and fear-some by simply dealing with his shit head-on, despite how agonizing the prospect initially seemed.
This isn't to say that Bruce Wayne and I are exactly similar here; he has the additional motive of wanting to learn how to strike fear into the hearts/souls of Gotham evildoers, whereas I just want to make sure that I have nothing to hide, and that there's nothing I can't handle, especially considering that statistically speaking, I probably will have to suffer heart break again at some point... And also, Batman is awesome, and so any real-life applications his character represents are certainly worth my time to consider. Maybe I should give myself a tangible reminder of this whole idea by wearing a big black cape everywhere I go from now on. That would be practical, I'd be making a fashion statement, and in case I get drunk and fall asleep outside, I'll always have a blanket. It makes sense, right? No? Okay fine...
It's ironic too, isn't it? - that I remind myself to embrace the reality of everything I had been trying to ignore/rid myself of by thinking of a sort-of escapist, comic book superhero ('Wait, you do know that..." Yes, I know, Batman's not REALLY a superhero because he has no super powers. Shut up)? But whatever, it seems to be working for me. Hell, maybe that irony is actually why it's working for me; I know that escapism/ignorance, while enticing, is not the answer, but perhaps plucking one of escapist fiction's foremost icons and for use in representing a more real, mature answer allowed me to more comfortably and calmly accept what I had to do. Does that makes sense? I honestly don't even know; I'm just firing away very stream-of-consciousness style right now...
Don't get me wrong, I don't outwardly publicize all that's bothering me all the time, especially when it comes to new women in my life (and there IS one of those, as a matter of fact), because that would be psychotic, and it would have caused her to run for the hills. Plus, acting psychotic is a woman's job, right? Right ('Typical..' Yes, but true!). But still, could you imagine a first date like that - "So, I thought we could try so-and-so restaurant. By the way I got my heart broken earlier and I'm terrified and I hope that never happens down the road with me and you, but I felt like I should mention it right now at the start..." Yikes. That's not what I mean by wearing my problems outwardly. I just mean that I won't hide it. I will talk about it if it comes up. I will not bottle it up or shy away from it. I'll prepare myself for its recurrence if I ever get to that stage of a relationship again. Because there is no such thing as eutopia. Everyone has a past. Everyone has baggage, even guys. And sometimes, ours can weigh just as much your run-of-the-mill crazy and irrational woman's, and any guy who denies that I say is a damn coward. In situations like these, you can either be tough and durable like Batman, or dishonest, deceitful, cowardly, indecisive, etc. like, ummmmm, Brett Favre. Ha! And personally, I'd rather be Batman with his square jaw than Brett Favre with his stupid grey beard, wouldn't you?...
In summation, banking on the ideal is a fool's errand, so I say be proud of your scars. Showcase them. Talk about them if questioned/warranted, even if it feels awkward. It's better to be honest. You'll feel better/purged in the long run, I can almost guarantee that. I'm glad I learned that. I'm a better person for admitting that it still hurts. It doesn't matter that it's been half a year. If it still hurts, it still hurts. That's the reality. Its better that I admit it, and its better that people can know if they want. It's weird how it all works out that way. It's weird how what would typically be touchy issues/conversational no-no's aren't really that bad once you let them out of your mouth. It's comforting, and it goes a long way towards not only moving on yourself, but letting someone else in as well as it makes it easier for he/she to really "get to know you," as they say. If I'm not doing a good enough job being clear here, allow me to put it to ya this way: I still miss Alexis every single day, and I still really wish that everything worked out differently. Yet, all that being said, I can't really think of anything I want to do right now more than finish this sentence so I can go be with Jenn....And on that note...
Thanks for droppin' in. 'Til next time playaz,
DJ
Thursday, August 27, 2009
Yankee Brutal Dandies

But I digress already. This post isn't even about sports. I only mention this misuse of vocabulary because I want to make it clear that when I use the word "genius" again three sentences from now, I want the word to carry the supreme weight it deserves, which is to say "of exceptional intellect, especially as shown in creative and original work," and nothing short of that... I went to the movies again recently. I saw "Ingluorious Basterds." Quentin Tarantino is a genius. With this movie, not only does he simply rectify the clusterfuck of wrongdoings that his previous effort,"Grindhouse," proved to be, but he reminds the movie-going universe that he is one of the most (if not THE most) uniquely gifted minds Hollywood has to offer as he showcases his style that is a deliciously irreverent as the spelling of the movie title itself. If that sounds more like an over-the-top, ringing endorsement moreso than a premise to a movie review, that's because it was supposed to. And when it comes to all things Tarantino, "over-the-top" is only apropos...
And while a good deal of "Basterds" does indeed feature a brand of violence that zips beyond gratuitous and stops somewhere around voracious - watching a Nazi get literally clobbered to death by a "basterd" wielding a Louisville Sluuger and witnessing a gunfight in which the two primary assailants shoot directly at each other's testicles are just two examples - this movie actually proves to be much more substantive, immersive, and intelligent than it's marketing campaing/previews let on. In fact, the most intriguing scenes are the several lengthy ones that feature very little violence (and sometimes none at all), but instead focus simply on the quick, sharp dialogue between a just a few characters or the provocative monologue of one. Tarantino's writing in these scenes is masterful as he consistenly toys with his audience, always dropping apparent hints as to how the conversation will end / how the scene will resolve itself or play out only to suddenly and shockingly change direction several times - an impressive feat that many times left me leaning forward in my seat, hands clasped as if I were praying over my mouth, blissfully ignorant of the annoying fucking teenagers with their cell phones incessantly jibba-jabberin' about their favorite Jonas Brothers songs and other miscellaneous gay things teens talk about in movies seated two rows in front of me, helplessly anticipant of the scene's outcome. In other words, the most memorable quality of "Basterds" is not the "naaat-zee" ass-kicking, but much moreso the nearly tangible tension that is created via the rhetoric of the characters - typically the Nazis.
As the fantastically dispicable Nazi Colonel Hans Landa (or "the jew hunter" as the basterds and others refer to him), Christopher Waltz turns in a remarkable performance as he constantly tinkers with the strings of his puppets - the audience members, the very epitome of the aforementioned thick tension prevalent throughout the movie. One particular scene finds a poor, terrified Jewish woman at a fancy lunch with several prominent members of Hitler's Third Reich (terrified because they don't realize she's Jewish), the very context immediately providing a wonderful discomfort palpable enough to make you squirm in your seat, and you're led to think the scene just might thankfully end without further worry when in stomps Colonel Landa, accompanied by a particularly fascinating and ominous bit of soundtrack (another of Tarantino's quirky talents), and brandishing the shit-eating smile as big and proud and identifiable as the swastikas on his uniform, and no less awful either. The Jewish woman recognizes him as the same son-of-a-bitch who butchered her entire family four years earlier at the dairy farm where they were hiding, but who inexplicably allowed her to escape. So when the rest of the lunch company goes his separate way, leaving just Landa and the Jew sitting at the table, he staring at her with ostensible but transparent pleasantry and delight and she staring back, desperate to hide her anger and terror, you can't help but actually feel the hairs on your neck stand up and perhaps even say "Ooooooh shit" to yourself (as I did) before either of them even utters a single word.
But that is merely the set-up. This is merely Tarantino setting the stage. He's only begun to, ummmm, well let me just say it like it is, he's only just begun to fuck with you, for what follows is a lengthy conversation - dominated by Landa as the Jew stays frightened and nervously reticent - in which you can't help but wait for the bomb to drop, for Landa to call her out on who she is, to perhaps even whip out a gun and shoot her more quickly than he can change his demeanor, which is pretty sudden in its own right. But he doesn't! As they sit there and eat their strudel dessert - he chewing and talking simultaneously in a such a way that makes you hate him even more - he simply probes her for information about who she is and how she came to arrive at this prestigious lunch. He even suggest a glass of milk for her at one point, at which point you can't help but say "Ooooh shit" to yourself again as you're intentionally led to believe this to be sign that he recognizes her from the dairy farm earlier, but he never capitalizes. As ruthless and cunning and downright smart as he is, he never goes after her. But the entire time you can't help but prepare yourself for it. As the scene concludes with Landa walking out, I could almost hear Tarantino laughing at me. And I was grateful for it.
Not to be overshadowed, however, Brad Pitt's turn as the "naaaat-zee" killin', scalp collectin', basterd-in-chief with a comically appropriate Tennessee drawl Lt. Aldo Raine is equally appealing, albeit in a far different manner. The antithesis (and appropriately so) of Colonel Landa, Raine has no time for dramatic build-up, intense interrogation, or any kind of extended conversation for that matter. His character, complete with an underbite that gives him a bit more of a bad-ass style square jaw, is direct and to the point. This, however, does not mean he is not intelligent or witty. With a troupe of vicious and bloodthirsty soldiers at his command, he knows how to get what he wants, and quick. Where Landa will slowly draw what he wants from you using his powers of obersvation and detection, Aldo Raine will simply offer you an ultimatum, and if you do not comply, either he or one of the basterds will, to pay homage to another Tarantino masterpiece, get medeival on y'ass.
This resulting dichotomy between Col. Landa and Lt. Raine yields two effects I found particularly intriguing. First, since the two rarely share the screen at the same time, any time Raine appears seems like a breath of fresh air, or a break from the teeth-chattering Landa scenes. As a pleasant result, Raine's violently efficient and superbly irreverant demeanor seems like a refreshment, and his/the basterds violent methods almost seem funny. Thus, and here comes that phrase again, the "over the top" / cartoonishly graphic violence seems even more fun and exciting than it would have otherwise been - cathartic even, for after Landa winds you up so tight, here come the Basterds to release your angst by either beating the shit out or scaring the wits out of some bad guys. Awesome. That's the best word for it - awesome. Not incredible, not miraculous, not heroic, just awesome...
The second effect, and perhaps even the more gratifying one, comes at the movie's climax when you finally get to see Landa and Raine staring each other down, man to man, face to face, nazi to basterd, eye of the observer to eye fixed with a cross-hairs. For the majority of the scene (SORT OF SPOILERS COMING!) it seems Landa has the upper hand, but when the tables turn and Landa reveals himself as the disloyal jackass that he is, the resulting sense of satisfaction is quite exciting. The man of stature, a pillar of the Nazi regime, a man of supposed steadfast character sitting directly across from the stone-cold, homicidal yankee with all the etiquette and social graces of a guinea pig, has the chance to swiftly prove his dominance, to prove his intellect is a greater weapon than any other man's artillery. But instead, he succumbs to his own greedy wishes, thereby serving as a sterling example of just how hollow, selfish, and ultimately vulnerable the Nazis truly were. How satisfying. I loved it.
While Pitt and Waltz were the foremost representations of their respective parties, Tarantino supplements each of them with a formidable cast of characters, each of whom drive the prominent points home in typical, thankfully exaggerated Tarantino fashion. Eli Roth as "The Bear Jew" and Louisville Slugger wielding basterd is entertaining in his pseudo-insanity when it comes to pummelling nazis (as is Til Schweiger as the slightly more insane basterd Hugo Stiglitz), and Martin Wuttke's version of an obnoxiously loud and red-faced cry-baby Adolf Hitler makes it very easy to look pitifully upon him and the rest of his own group of legitimate bastards in the movie.
Finally, to cap it all off, and staying true to form, Tarantino punctuates the movie with a fantastic soundtrack (which made me personally wonder, "Where the fuck does he find this cool music all the time?") and some fun little voice-over cameos from Tarantino regulars Samuel L Jackson and Harvey Keitel, and some of those nifty little freeze-frames he likes to employ when introducing a character (For example, when we meet Hugo Stiglitz, we see him standing atop a cliff holding an machine gun. Suddenly the camera stops, and next to the character in gigantic bold letters the name "HUGO STIGLITZ" appears as a quick, rough string of three electric guitar chords helps introduce him in kick-ass fashion). Nothing like adding a little touch to an already near-flawless work...
Clearly, as implied in the beginning, this has turned out to be much more of an endorsement than a review, but for good reason. This IS the best movie of the summer. It's worth every dollar spent and every second of its two hour and forty minute run-time. This is a must see. Everyone who sees it will likely - if they don't already - refer to it as a miraculous work and will Quentin Tarantino as an incredible film maker, a hero of the film industry, and a real genius....('Didn't you say something about overusing vocabulary words too much..?' Shut up, it's warranted).
Grade: A
Thanks for droppin' in. 'Til next time ya basterds,
DJ
Wednesday, August 19, 2009
Vengeance, Philosophy, and Football...
I. STARTING OFF WITH SOMETHING HEAVY
I find it keenly intriguing/curious that perhaps the best way to tell that someone really cares about you is if he or she can shatter your heart and soul with what he or she says. In this sense, closeness and vulnerability become almost synonymous. Not a ground-breaking revelation I realize, just an interesting thought. Maybe this is why they say it's good to keep your friends close, but your enemies closer; because this way, theoretically, you can crush your enemies without ever having to touch them. Can you think of a more empowering feeling than that? I can't. So, for those of you burgeoning psychopaths out there who just now immediately thought of that one awful person on your hit list who makes your goosebumped skin crawl and your blood sizzle, perhaps this idea will inspire you to settle for the consolatory satisfaction that will come when you rip out his or her figurative heart instead of the handcuffs and lifetime jail sentence that would come if you ripped out his or her physical, blood-pumping one. And hey, if you manage to psychologically damage this person enough to the point where he or she commits suicide, well then consider it a bonus, then give me a call and we'll go pour his or her actual blood into crystal chalices as we toast his or her swift demise, not to mention your freedom. ('You REALLY gotta stop watching 'Dexter' and 'TrueBlood.' Ok, maybe you're right... but the main idea here before the gruesome stuff is still a fascinating one!...And a valid one, too!)
('Ummmmm, asshole, wouldn't keeping your enemies closer also result in them being close to you, and therefore having the ability to rip YOUR heart out?" Ummm, no. Not at all, but nice try. Allow me to explain). The only way to keep those whom you truly detest close to you, or to even draw them to you in the first place, is to put on a front around them, or a facade that masks your general distaste (think any boss : underappreciated worker still desperate for a promotion type relationship ever). Doing this not only reels in your prey, but it also keeps them at more than arm's length ('Sooo, like an arm plus a hand holding a kitchen knife's length?' Yes. Precisely. And quite appropriately) from ever really knowing the real you. And as you've probably guessed, if they don't really know you, they can't really hurt you. All of the sudden, advantage (quick, point to yourself with your thumbs..) this guy! The only real problem with all of this is that acting fake/putting up a front/whatever you want to call it just kinda sucks. Everyone hates fake people - even other fake people. But if vengeance/humbling someone in a supremely devastating manner is appealing to you - and let's be honest, it's an appealing concept to all of us because we're human - then, well, sacrifices need to be made, and nobody ever made an omelette without breaking a few eggs, as they say. Just be sure to leave that omelette sit out a while before serving it because vengeance...(wait for it...) is a dish best served cold! ('Reeeally?' I'm sorry, that was weak I know... 'I still just can't believe you started this paragraph with a parentheses.' Me neither. It's a flawed paragraph all over the place. Let's ust move on....)
II. VICK HATERS = TERRORISTS
Alright, so being an avid Philadelphia Eagles fan as well as just a stubborn and verbose human being, there's just no way I can write a blog without addressing the Michael Vick situation. Here's the point - if you seriously think that Michael Vick has no business playing in the NFL, so much so that you'd be willing to sell your tickets and/or outright boycott Philadelphia Eagles games (or all NFL games for that matter) because of it, then I feel nothing but pity, shame, and disgust for you. Why? - because you're a fucking moron. That's why. ('Oh, so now since he's playing for your team you're okay with what he did?' Is that what I said? No. Stop making bitter assumptions).
I'm going to put it as simply as I can. If you don't believe in giving Michael Vick a "second chance" as I've been hearing it phrased so frequently as of late, then what you're really saying is that you don't believe in possibility of his rehabilitation. And if you're shunning the concept of rehabilitation, then you're essentially condemning one of the cornerstones of our legal/justice/prison system. And if you condemn justice, you condemn the American way. This makes you a terrorist. ('Well that's an incredibly juvenile explanation.' Yeah, well, no more juvenile than your immature and naive take on things).
For those of you (and there are many I'm sure, and I hate you all) who still see things the other way, let me ask you a few questions: Is it wrong to EVER let a person who was convicted of raping another human being out of prison? Should he have to stay there forever, with no exceptions? And if he is released, is it wrong to let him try to contribute to society by re-establishing himself in the trade in which he's trained and proven? Getting more specific/relevant now - if you hate Michael Vick so much, do you also hate all of China since they eat dogs? (Don't try and tell me they don't). Do you detest everyone in those countries in which cock-fighting (chickens, not penises) is an accepted and popular custom/activity? Or do you, the animal loving saint that you are, really only care about the animals that are domesticated, or more bluntly, the ones you think are "cute"? (Don't answer that one even in your head, we all know the answer). Do you ever hold conversations/debates about animal rights during a steak dinner? I bet you do, you fucking hypocrite.
(Fun little side story so you can get an extreme/exaggerated example of the types of mindless people I'm talking about: I once heard someone, an ostensible animal rights uber-zealot, say that she stood for the rights of ALL animals. She said this as she was stirring the shrimp cooking in her frying pan. When I called this, ummm, ironic situation into question, she said that it was okay because....drum-roll please...."shrimp aren't REAL animals." I then stood there for a while with a look on my face that said only, "What the fuck are they then - fungi?".... Yes, folks, these people exist. Alright, getting back on track now...)
Ya know, Michael Vick spent his best athletic years in a cell for engaging himself in an institution - an admittedly disgusting one - that was and probably still is an unfortunate blemish on the face of southern culture, yet was and is part of the culture nonetheless. In other words, he honestly probably didn't even know any better. And while this unfortunate naivete certainly does not excuse his actions, I think it does make them at least a tad more potentially forgiveable. And he paid for it with three years of his life, losing hundreds of millions of dollars in salary and potential endorsement deals during the time. That's a hell of a financial and psychological debt that he has paid, people. Still, now that he's out and working in Philadelphia, he's already begun to collaborate with the Humane Society. So he's doing what he can. When he's not dealing with his bankruptcy issues, he's doing the job to which he has been properly trained as a professional in an effort to put his life back together, and he's doing what he must to ensure nobody else endures the misfortune that he did for the same stupid reasons. Can you really ask for more than that? If so, what the hell will it take for you? If your answer is "there's nothing he can do in my mind," then, yeah, you're an ignorant fuck, and I hope someone sicks a rabid pit bull on you....
Maybe when this all eventually blows over (I'm guessing by November) and I'm at an Eagles tailgate party with the erstwhile protestors and boycotters all dressed in their green and silver best, we can switch our attention to all the rapists/sexual assaulters (Roethlisberger), murderers (Ray Lewis), and drug addicts (everyone else) rampant in the NFL. But only when we finish with this dog thing, because that's way, WAY more important....right?
III. THE BRAVID FRASELHOFF HYBRID MAN
If you watch any television at all, chances are that you've come across the new

It's amazing how quickly this idea shot into my head the very first time I saw the

IV. ISOLATION = REVELATION??
Lots of guys often say that they do their best thinking while sitting on the toilet. I realize that many times this is probably said in jest because it's a solid default joke that probably averages a 50-55% rate of return on laughter/polite giggling, but still, it wouldn't be said quite so often if there wasn't at least an inkling of truth to it. This occurred to me earlier today (8/25/09) as I was enjoying the euphoric sorcery that is french vanilla coffee after a long 40 or so hours of working and selling while sitting in a eerily quiet Dunkin' Donuts in the heart of the city that everyone knows of, but nobody ever really ever feels compelled to visit - Rochester, NY. And actually, the thinking-while-on-the-toilet thing is not the first idea that occurred to me. Instead, my initial thought was really more of a realization; I knew that because I was alone, and because there was essentially nothing of remote interest within a 20 mile radius of me, that I was inevitably a mere moment or two away from engaging in some deep, contemplative thought. With nobody to talk to and nothing to do but drink my coffee, my mind was going to start racing and there was nothing I could do about it. I didn't mind. In fact, I've come to enjoy those quiet moments a bit. I just found the apparent direct correlation between isolation and profound thought interesting.
For a considerable amount of time - say, half an extra large cup's worth (I would provide an actual time period here, but when I say there was nothing around me, I mean seriously nothing, and that includes the ticking of a clock) - my mind didn't stray too far from that very idea. Specifically, I began to wonder if this is an innate and involuntary reaction to being alone - not just thinking, but thinking deeply/philosophically/contemplatively. More interestingly, I began to wonder if this could be a decent litmus test judge someone's intelligence and/or intuition...Wait, let me word that thought in the same manner in which it occurred to me... More interestingly, I began to wonder if this would be a fun way of seeing if someone is retarded. ('Real nice, asshole. Thought you actually were on to something provocative here, but nooooo! - just another premise for making fun of people.' Can't it be both?). Seriously, consider that for a moment. Imagine if you locked someone - he or she knowing full well that this was solely a test and that he or she was not being abducted or imprisoned or anything like that, for such a context would cause him or her to think mainly of means of escape/survival, and that's not what we're after - for five hours in a room completely empty except for one folding chair. Bare walls. No windows. No nothing. Just empty. Then, after the five hours expired, you entered the room and asked the person point blank, "Giving as much detail as possible, what did you think about these last five hours?" If the person genuinely responds with "Seriously, nothing," "Just how bored I was," or something similar, I dare say that person would be retarded, or at least on par with Forrest Gump... I guess essentially my question is this: is it possible for a person of normal/respectable intellect to be alone for an extended period of time without having his or her mind pry into itself and eventually conjuring up some legitimately profound thoughts? I'm not sure, but I don't think so. I can't imagine being alone for a long time and not thinking heavily upon something, and I think that if you can pull off thinking of nothing, then really your mind is empty. And if your mind is empty, you're a fuckin' retard in my book.
If that last paragaph seemed a bit loaded/convoluted, etc. (and I admit it even seemed

But wait, there's more. I realize that there is such a thing as "intelligent conversation," whereby the kinds of conjured profound thoughts I've been talking about can develop from actually holding a substantial dialogue with another person or more other people. In other words, I'm not saying that truly deep thought is exclusive to being alone, just that it's more likely. I say that because when you're with other people, you can choose to alter the trajectory of a conversation. When shit gets too heavy, you can change the subject to something lighter if you want, and the dialogue will then shift your mind's focus in a new direction. When you're alone, you really can't do that. When your mind is on a roll, you're pretty much helpless to stop it. Some kind of tangible distraction is needed. And with nothing and nobody in that Dunkin' Donuts, I had no such distractions, and so naturally, the deeper I plunged...
But now that you obviously know WHY my mind was wandering, I'll stop explaining it. Instead, I'll just share the chain reaction of thoughts upon which I dwelled for anywhere between one sip's worth and the remaining half-cup's worth of french vanilla coffee:
- I wonder if it's possible not to think deeply when you're alone.
- If you can manage not to do this, or to actually think of nothing at all, I wonder if that means that you're stupid/retarded, because it seems inevitable/involuntary to me.
- If all that is true, I wonder if the reverse is also true: if your isolation typically leads to mind-blowing or ground-breaking revelations, then that means you're either a genius or at least a fantastic philosopher/sage.
- I would like it if both extremes were true, because I like it when things work out neatly or formulaically...which makes me wonder yet again why I don't like math/algebra because working things out formulaically is what they're all about.
- Maybe I like when things work out formulaically because there is a sense of safety or security in that concept. "Knowing things will all work out in the end" has gotta be one of the most comforting phrases in the world, doesn't it?
- I'm intriguing myself. I should blog about this when I get back to my hotel. I hope all this doesn't seemed forced/contrived when I write about it because I don't want all 9 people who read it to be unentertained...haha, I'm gonna write that down.
- I wonder if people like Socrates and Plato and shit spent most of their lives alone, and that's why they had such involved ideas about life. Wasn't it Plato who explained shit using "the allegory of the cave"? If it wasn't him, it was someone else who typically gets lumped into that great philosopher discussion I think... Either way, I wonder if the idea of a "cave" seemed appropriate because he kinda lived in a proverbial one where he did all his thinking.
- It was funny in "Bill and Ted's Excellent Adventure" when Ted (Keanu Reeves), consistently failing to understand how Socrates spelled his name/is pronounced, says to Bill, who is holding an encyclopedia, "Look up Socrates (pronounced correctly). He's listed under socrates (pronounced 's-oh-cr-ates')."
- But that idea seems unlikely, because it just seem irrational that someone could possibly derive thoughts about life without ever really experiencing it, and that would be the case if they were alone all the time.
- Maybe they did get out and about, get drunk, have sex, bet heavy on the Lakers, and do whatever else normal people did in ancient Greece, but they were just a bit more naturally discerning or curious, and so whenever they happened to be alone, they found themselves thinking longer and harder about what they witnessed than anyone else.
- Maybe they did this when they were on the crapper because that's where you're typically by yourself the most, and maybe that's where that saying really started...
- I'm surprised I do as much of this deep thought stuff as I do because I crap, at most, three times a week.
- I like irony.